Don Carter

Is arts learning an emerging priority for your primary school?

We know that learning the arts improves both student engagement and well-being. Students develop self-esteem, capacity to collaborate and share their emotions, all part of learning to  communicate and developing socialisation skills

The COVID-19 lockdowns in Australia forced families and teachers to rethink how children might learn, in new online contexts where the usual teacher/student and student/student relationships were disrupted by emergency remote learning and teaching. Our research was particularly concerned with approaches to teaching the arts online which enabled and facilitated connection and communication between students, and between teachers and students.

The whole family got involved

Anecdotally we heard about some innovative approaches adopted by primary teachers to engage students in online learning in the arts. In some cases whole families participated in the arts learning activity. While in some situations families had limited technology available at home some students took the opportunity to be fully engaged in an arts learning activity for most of a day, enjoying the opportunity to focus on something they loved without having to change what they were doing upon the ring of a bell.

Our research showed that teachers and parents had expressed hope that online arts learning could facilitate positive online learning experiences, particularly for those students who had encountered challenges in a face-to-face environment. Here is what we have found.

During the online learning periods music and visual arts were the most commonly studied artforms, dance and drama were next. Media arts was the least reported artform. For many students and teachers  online arts learning was an overwhelmingly negative experience. But, for some, the arts online experience was remarkably positive and social.

Sharing their work with others

Parents and teachers equally endorsed reasons children enjoyed activities with highest scores being for these reasons: sharing their work with other students; learning was fun and showing something they had made. 

Parents reported that students did not create something with other students, talk or send messages to other students while engaged in online arts learning activities. But, some teachers found their students did so. Both parents and teachers indicated students watched other students present their work. Parents and teachers reported examples of students exploring visual arts making techniques using materials around the home to create collages, paintings and puppets. Some students responded to dance and drama online learning activities by recording their own movement sequences and creating short drama scenes using imagined television interview scenarios. One activity involved students bringing their siblings and parents into the activity to self-tape a recreation of a moment from a movie for which they overlaid the recorded film soundtrack.

Recreating ET

One parent and their child particularly enjoyed recreating a classic moment from ET using family bicycles. Mobile phones were a useful device for students to record sounds in their own garden. Students then recorded themselves talking about the sounds using elements of music such as pitch, dynamics and texture. While students completed these tasks individually teachers found ways to share students’ work through online classes and gallery platforms. Students engaged with each other’s artworks through conversations in online classes.

The post-pandemic return to school and face-to-face teaching and learning saw both parents and teachers reporting that students were highly motivated to resume face-to-face arts learning. Students were keen to connect in person with their peers and teachers. They were motivated to collaborate on arts projects like music and drama. Students were actively seeking creativity in the classroom. The arts online did not necessarily create positive experiences for many students and teachers. But it did increase students’ recognition and eagerness to explore the arts in their classrooms. Many students had renewed enthusiasm upon returning to school. But some did not, and still may not have returned to school.

Through the emerging priorities program research into primary arts learning online we worked with teachers and artform researchers from across the country to develop digital exemplars of arts online learning activities that teachers can use with students in Years 1 and 2. Each activity scaffolds elements of the personal and social capability, one of the general capabilities in the Australian curriculum.

The museum of me

These digital exemplars recognise the complexity of teaching since the pandemic. They include ways to involve students who may be learning online with students who are in the classroom. Visual arts includes the museum of me where students collect, draw and talk about items that are important to them. The dance and music learning activities can be used separately or interconnected through the use of a song and dance movement from Ghana. The drama learning activities involve short scenarios in which students learn to observe and make characters and develop character status. The media arts activity uses the drama learning activity to explore how to use camera angles to represent character status.

The exemplars in each of the five art subjects: dance, drama, media arts, music and visual arts include links to online videos and downloadable lesson plans to assist teachers engage students through arts learning. How to give feedback is modelled for students across learning activities in each artform using three stems: One thing I appreciated – ; One thing I discovered -; One thing I am wondering -. For each artform the elements of the personal social capability and signature pedagogies are identified. The EPP Arts Learning Online digital resources are available online as a free resource. They provide 10 hours of online self-paced learning for teachers, pre-service teachers and interested parents and caregivers. The researchers are keen to receive feedback from people testing out the activities. The opportunities to provide feedback are embedded in the digital resource.

This research project was funded through the Commonwealth Department of Education Emerging Priorities Program.

Linda Lorenza is a senior lecturer in the CQUniversity School of Education and the Arts. She is Head of Course for the Bachelor of Theatre,  teaching theatre, acting and drama. Lorenza is a qualitative researcher and arts practitioner whose interests are in the performing arts, arts education, and applied arts in health and rehabilitation contexts. She is a chief investigator, with Don Carter, on the Emerging Priorities Program research into arts online learning.

Don Carter is an associate professor in the UTS School of International Studies and Education, he specialises in working with teachers to investigate innovative writing pedagogies to improve student performance and outcomes across the curriculum. Carter is a chief investigator, with Linda Lorenza, on the Emerging Priorities Program research into arts online learning.

Scary school stories: from zombie data to systems at war

Long-standing challenges in education confront the new Labor government: the teacher shortage; teacher pay and conditions; the equitable funding of schools; student performance in standardised tests; and student behaviour and attendance.

It has become all too common for news outlets to seek the opinions of think-tanks, rather than those who have first-hand experience and who might be able to offer solutions to the problems. So, in attempt to give ‘voice’ to these other views, we talked to six education experts: a former NSW education minister, a former principal and education commentator, the president of the Australian Education Union, a journalist, a maths teacher and a prominent academic. 

One voice often overlooked in education controversies  is that of the classroom teacher. Julie Moon is a recently retired teacher who’s taught in rural NSW and metropolitan Sydney, as well as Papua New Guinea. She was an organiser for the NSW Teachers Federation, involved in many negotiations with the NSW Department of Education. In her conversations with us, Moon highlights significant changes to  her workload –  it’s incessant and relentless data collection requirements, that is, data collection for the “sake of data collection”. She says: “It creates a workload that’s unnecessarily onerous.” As  a teacher she is continually collecting data but this task becomes burdensome when she is required to compile additional documentation that may or may not be read or acted on at other levels of the bureaucracy. 

Ongoing data collection was also raised by former NSW education minister Adrian Piccoli who maintains that although initially worthwhile, data collection has now reached a “kind of tipping point where it becomes a negative”. Piccoli says we’ve reached a point where data collection now “drives teachers nuts”, adding to the constraints on teachers’ time and energies, and therefore limiting the opportunity to exercise their professionalism as classroom practitioners. 

Having worked as education minister (2011-2017), Piccoli is aware of the importance of establishing shared goals between state and federal governments. In fact, and even though he was a member of the NSW Coalition government, Piccoli says that it was “easier and smoother working” with the Federal Labor government and Peter Garrett than with the Federal Coalition government that assumed power  in 2013. Both  Piccoli  and Garrett held bipartisan education goals, promoting the Gonski reforms on school funding, and although there were often differences of opinion, he maintains that tension in education debates can be constructive, allowing for ideas to be “tested and challenged”.  

Realities of equity and school funding are close to the heart of former principal and education commentator, Chris Bonnor whose latest book scrutinises school funding in Australia. Bonnor argues that our education system has never been a ‘level playing field’ despite the best efforts of some governments; and decades-long neglect of key issues has seen the gap in academic achievements widen as the economic gap across the community widens. He also asserts that if a public education system is available to all but has to compete with a private system that has very few obligations: “it’s funding system at war with itself”. Consequently, the question of how the private and the public-school systems co-exist, must arise. 

cool This debate led us into a conversation of how education in schools is covered in the media. To gain some insights, we talked with The Age and Sydney Morning Herald journalist, Jacqueline Maley. While Maley’s writing interests extend beyond education she understands the political dimensions and the many polarising issues, for example, phonics. She is aware that certain topics will attract “blowback”; and as a result, Maley is careful to research her topics and adopt a measured tone and approach. We asked  about advice she might give to school students who are thinking of journalism as a career; her recommendations focused on an inherent “curiosity and an outward looking attitude” as well as a very “strong work ethic and an ability to think laterally when you’re looking at a story”. 

Although not preoccupied with education and the media at present President of the Australian Education Union (AEU), Correna Haythorpe’s most recent work has revolved around campaigning for reduced workload, improved conditions and a rise pay for teachers. She is investigating ways to alleviate the teacher shortage which she says in the latest AEU national survey indicates that the average working week for a classroom teacher is 56 hours, with much of it constituting unpaid work.

Possibly the current challenges in our schools are a ‘perfect storm of neoliberal discourses’ in education from the 1980s onwards. This is a persistent theme in our exchange with renowned education scholar Professor Alan Reid. In his latest book, Reid recounts the introduction of private sector practices – ‘corporate managerialism’ – where education became “awash with key performance indicators, vision and mission statements, strategic plans and intrusive accountability”. The mantra of ‘choice and competition’ became ubiquitous. Parents began selecting schools for their children, in much the same way as one might select an item of clothing from a rack in a department store. The thinking was that the best way to improve quality was to get teachers and schools to compete against one another, with the ‘customer’ being the parent and the school or teacher, the ‘product’. Many ‘big ideas’ in education were lost in the move toward a global education ‘industry’.

While many significant challenges remain for most Australia education systems and their communities, a new podcast series “Talking Teachers” by UTS teacher education academics, Dr Don Carter and Associate Professor Jane Hunter reveals there are many fresh ideas for Federal Education Minister Jason Clare and a newly elected NSW Labor government to draw on.

Dr Don Carter is a senior lecturer in the UTS School of International Studies and Education, he specialises in working with teachers to investigate innovative writing pedagogies to improve student performance and outcomes across the curriculum. Carter is a chief investigator, with Linda Lorenza, on the Emerging Priorities Program research into arts online learning.

Dr Jane Hunter is an associate professor in the UTS School of International Studies and Education, with expertise in pedagogy, curriculum, practitioner inquiry, technology-enhanced learning and teacher professional learning. In 2019 her research was awarded High Impact in the first Engagement and Impact Assessment by the Australian Research Council.

Could this one thing make students love school again?

School refusal has been labelled a “national trend” by the Senate education committee. Primary and secondary children are not attending school and it is not because of cold symptoms or COVID. The problem of school refusal is international. The Dutch program “Knowing What Works” identifies interventions that work in helping young people who struggle with attending school. The report claims that education is essential to young people’s development and that the interaction between the service providers, such as psychologists, the student’s parent and teachers contributed positively to the student’s capacity to return to school. In Australia, school refusal is not a new phenomenon, but it has gained considerable attention following the impact of the 2020 and 2021 COVID-19 shutdown periods on our school students. The Productivity Commission reported that the national primary school attendance rate was 87.8 per cent in 2022, a 4.5 per cent drop from 2021. Furthermore, the Australian Professional Teacher’s Association submission stated that “a lot more time today is spent on student wellbeing issues than even five years ago” (p143).

There is no doubt that primary school-aged children’s socialisation has been hampered by the COVID lockdown periods of 2020 and 2021. The impact of isolation on the mental health and wellbeing of students is a prime concern. During the COVID lockdowns in Australia in 2020 and 2021 many families were forced to stay home and somehow work out how to learn online. For families in lockdown routine was difficult and surviving day to day became the priority. Students struggled with the “lack of face-to-face connection with teachers … felt incredibly disconnected and isolated from peers” (p7). The impact on parents’ own mental health and coping capacity cannot be underestimated. For many children the world became “frightening” with children displaying symptoms of fear, worry and sadness.

Worldwide people turned to some form of creativity as a way to cope and to connect. View from my window attracted 3.8 million members on facebook. Time reported that TikTok became the “uncontested social media platform” for all ages with dance challenges. Teachers innovated, developing “various ideas to engage students whilst teaching them and attempting to make learning fun for them which would help assist their want to learn.”(p13).

Primary arts teachers devised some amazing learning activities that unified and inspired their students and their families. Household items became art-making materials, everyday clothes became costumes and any space in the house or garden became a self-tape studio for children to make videos to share with their peers. But for teachers monitoring student engagement online was prohibitive. They could not see immediate feedback through students’ body language and facial expressions, “you did not know if the students were actually there, listening and working” (Ziebell & Roberston, 2021, p17). Teachers as well as students missed the social interaction of learning at school.

State and Territory education authorities provided supporting materials, such as Queensland Department of Education’s fact sheets to help parents support their children returning to school, highlighting the importance of routine and planning for the day ahead. The Federal government launched the world’s first National Children’s Mental Health and Wellbeing Strategy in October 2021. In their 2021 study, Ziebell and Robertson found that respondents in primary schools were a little more positive about the level of support for students than their secondary school respondents. In primary schools, greater emphasis was placed on student wellbeing than on maintain academic standards. But now in 2023 school refusal and student mental health and well-being is of continued concern.

Returning to school for both students and teachers has meant readjustment to face-to-face learning and to functioning within the whole school environment. Queensland independent school primary teachers in Ziebell and Roberston’s study have focussed on “rebuilding rapport with their students”(p20) but the return to school in NSW teachers were concerned that the disruption to transition points in schooling such as commencing school, completing Year 6, starting secondary school, will have ongoing negative effects on students (Fray et al., 2022). Additionally, in the first year of returning to school, limitations on extra-curricular activities such as performance and public speaking, as well as inter-year mingling for peer-support stifled students’ socialisation within the school. These were activities students looked forward to. NSW teachers noted behaviour issues such as anxiety, frustration, aggression and some reported evidence of self-harm. Teachers attributed poor social interaction among students on their return to school to the lack of face-to-face contact they had with peers during lockdown (Fray et al., 2022, p.9).

The impact of lockdowns on students’ academic achievement has received much attention, but  teachers experience the day to day behaviours which are a result of lack of social contact: increases in challenging behaviour, tired and fatigued students, and students’ lower capacity to engage in learning upon return to the classroom (Fray et al, 2022, p10).

The Emerging Priorities Program funds projects that assist school communities to respond to emerging priorities in school education, including to meet the ongoing challenges of COVID-19. An examination of primary student, teacher and parent experiences of arts learning online during COVID-19 lockdown, is examining primary arts learning online. By listening to primary students, teachers’ and parents’ recollections of arts learning online, the study will identify evidence of the Personal and Social capability and develop examples of practice intended to support teachers and students returning to school.The national survey is open now for teachers, students and parents who were connected with primary schools in 2020 and 2021.

Dr Linda Lorenza is a qualitative researcher and arts practitioner whose interests are in the performing arts, arts education, and applied arts in health and rehabilitation contexts. She is Head of Course for the Bachelor of Theatre and teaches theatre, acting and drama. Lorenza is a chief investigator, with Don Carter, on the Emerging Priorities Program research into arts online learning.

Dr Don Carter is a senior lecturer in the UTS School of International Studies and Education, he specialises in working with teachers to investigate innovative writing pedagogies to improve student performance and outcomes across the curriculum. Carter is a chief investigator, with Linda Lorenza, on the Emerging Priorities Program research into arts online learning.

The dark side of NAPLAN: it’s not just a benign ‘snapshot’

The release of the latest NAPLAN results this week identified a problem with student performance in writing. This prompted the federal minister for education, Simon Birmingham, to state these results “are of real concern”. And the CEO of Australian Curriculum, Assessment and Reporting Authority, Robert Randall, added that “we’ll have a conversation with states and territories” to pinpoint the exact problem.

You get the message: there is a problem. As I see it we have a much bigger problem than the one the minister and ACARA are talking about.

At the moment, we have two concurrent and competing ‘systems’ of education operating in Australia, and particularly in NSW: one is the implementation of the state-authorised curriculum and the other, the regime of mass tests which includes NAPLAN and the Higher School Certificate.

The bigger problem

 NAPLAN results get everyone’s attention, not just mainstream media and parents, but also teachers and school communities. Attention is effectively diverted from curriculum implementation. That means that resources, teacher attention and class time is soaked up with attempts to improve the results of under-performing students. It means that the scope and depth of the curriculum is often ignored in favour of drills and activities aimed at improving student test performance.

In a way, this is sadly ironic for NSW, given that new syllabuses rolled out across 2014-2015 have the development of literacy and numeracy skills as two of seven general capabilities. Specific content in these syllabuses has been developed to strengthen and extend student skills in these two areas. 

Before teachers had the chance to fully implement the new syllabuses and assess student learning, the NSW government jumped in and imposed a ‘pre-qualification’ for the HSC: that students would need to achieve a Band 8 in the Year 9 NAPLAN reading, writing and numeracy test. Yet another requirement in the heavily monitored NSW education system.

And if the federal education minister has his way, we’ll see compulsory national testing of phonics for Year 1 students, in addition to the NAPLAN tests administered in Years 3, 5, 7 and 9; and then in NSW, students will have to deal with the monolithic HSC.

So the ongoing and worsening problem for schools will be finding the space for teaching and learning based on the NSW curriculum.

Similar things are happening in other states and territories.

The dark side of national testing

As we know, mass testing has a dark side. Far from being the reasonable, benign ‘snapshot’ of a child’s skills at a point in time, we know that the publication of these tests increase their significance so that they become high-stakes tests, where parental choice of schools, the job security of principals and teachers and school funding are affected.

And here I will add a horror story of how this can be taken to extremes. In Florida in 2003, the Governor, Jeb Bush, called the rating of schools based with a letter A-F, based on test results, a “key innovation”. Using this crude indicator, schools in this US state were subsequently ‘labelled’ in a simplistic approach to numerous complex contextual features such as attendance rates, student work samples, the volume and types of courses offered and extracurricular activities.

Already in Australia NAPLAN results have a tight grip on perceptions of teacher and school effectiveness. And quite understandably, schools are concentrating their efforts in writing on the ‘text types’ prescribed in the NAPLAN tests: imaginative writing – including narrative writing, informative writing and persuasive writing.

So what might be going wrong with writing?

As I see it, the pressure of NAPLAN tests is limiting our approaches to writing by rendering types of writing as prescriptive, squeezing the spontaneity and freshness out of students’ responses. I agree it is important for students to learn about the structural and language features of texts and to understand how language works. However it appears that schools are now drilling students with exercises and activities around structural and language features of text types they’ll encounter in the test.

Has the test, in effect, replaced the curriculum?

Again taking NSW as an example, writing has always been central, dating back over a century to the reforms in both the primary and secondary curriculum in 1905 and 1911 respectively. The then Director of Education, Peter Board, ensured that literature and writing were inextricably linked so that the “moral, spiritual and intellectual value of reading literature” for the individual student was purposeful, active and meaningful. In addition to this, value and attention was assigned to the importance of personal responses to literature.

This kind of thinking was evident in the 1971 NSW junior secondary school English syllabus, led by Graham Little, which emphasised students using language in different contexts for different purposes and audiences. In the current English K-10 Syllabus, the emphasis is on students planning, composing, editing and publishing texts in print or digital forms. These syllabus documents value students engaging with and composing a wide range of texts for imaginative, interpretive and analytical purposes. And not just to pass an externally-imposed test.

In a recent research project with schools in south-west Sydney, participating teachers, like so many talented teachers around Australia, improved student writing skills and strengthened student enjoyment of writing by attending to pedagogical practices, classroom writing routines and strategies through providing students choice in writing topics and forms of writing; implementing a measured and gradated approach to writing; using questioning techniques to engage students in higher order thinking and portraying the teacher as co-writer.

These teachers reviewed the pressures and impact of mass testing on their teaching of writing, and like so many around Australia, looked for ways to develop the broad range of skills, knowledge and understandings necessary for all students, as well as ways to satisfy the accountability demands like NAPLAN.

Without the yoke of constant mass testing I believe teachers would be able to get on with implementing the curriculum and we’d see an improvement not only in writing, but also across the board.

Don Carter is senior lecturer in English Education at the University of Technology Sydney. He has a Bachelor of Arts, a Diploma of Education, Master of Education (Curriculum), Master of Education (Honours) and a PhD in curriculum from the University of Sydney (2013). Don is a former Inspector, English at the Board of Studies, Teaching & Educational Standards and was responsible for a range of projects including the English K-10 Syllabus. He has worked as a head teacher English in both government and non-government schools and was also an ESL consultant for the NSW Department of Education. Don is the secondary schools representative in the Romantic Studies Association of Australasia and has published extensively on a range of issues in English education, including The English Teacher’s Handbook A-Z (Manuel & Carter) and Innovation, Imagination & Creativity: Re-Visioning English in Education (Manuel, Brock, Carter & Sawyer).

Preparing children for work. Is this the best we can do for our students?

I am concerned that recent reforms to the NSW Higher School Certificate are based on a narrowly conceived vision for education which will see students graduating with a basic but limited set of workplace skills, largely incapable of developing aptitudes for life outside work as family members and members of the wider community.

The most concerning points

The narrow focus on workplace skills

The recent controversy in HSC English regarding the reduction in the number of prescribed texts to be studied and the optionalising of the study of novels and poetry in Year 12 – subsequently reversed by the New South Wales Educational Standards Authority (NESA) with regard to the study of novels – would have come as no real surprise to those who have examined the NSW Government’s “Stronger HSC Standards Blueprint” (Blueprint) released in 2016 as part of a series of reforms to the HSC to be implemented by NESA.

This government document has a narrow focus on workplace skills and ignores other important aims of education that seek to develop students into well-rounded individuals.

The Blueprint fails to ask the key questions “what type of people do we want our children to be by the time they leave school?” and “what qualities do they require in order to lead fulfilled lives as individuals and as members of the wider community?” I believe that such a ‘big picture’ document should be presenting carefully considered statements specifying the qualities we need to nurture in our students, such as critical and creative thinking and becoming active citizens of our democracy and empathic members of local and wider communities.

Do we want responsible, communicative individuals who can sustain rich and meaningful relationships within and beyond the family unit? As I see it, the Blueprint fails to mention the types of important human qualities that make us human and allow us to live harmoniously with each other.

Qualities such as compassion, consideration of others, perseverance, tolerance and the ability to act with dignity – a type of ‘cultivation of the self’, where reasoned, thoughtful actions form the basis of interactions with others – are not mentioned.

I believe these qualities are important for all individuals in everyday social situations, such as chatting over the fence or being a member of a political party or sporting club, but also crucially important in the workplace.

Beyond examinations and the future workplace, the document does not acknowledge in any detail, the wider life of the student.

The Blueprint promotes students as robotic automatons for the workplace

The Blueprint projects an Orwellian vision of education where students are cast as economic units – “the future workforce”. The HSC is described as a “platform” to “increase productivity”; the inclusion of buzzwords such as “agile”, “flexible” and “responsive” signal that the most important goal of education is to provide employers with workers who possess “transferrable skills” and a “solid foundation” of literacy and numeracy skills for jobs. The document seems to aim to reduce individuals to compliant workers, skilled for the workforce perhaps, but little else.

Educators Ivor Goodson and Scherto Gill point out that when learning is reduced to the acquisition of employability skills, “people are treated as economic objects”, reducing their capacity for positive social interaction and fulfilling relationships.

Other important personal qualities such as self-awareness, self-esteem, respect for self and others, as highlighted by the by the psychologist Carl Rogers, are also ignored in the Blueprint.

More testing

How much testing can our students take? Not content with NAPLAN testing for students in Years 3, 5 and 9, the Blueprint introduces the requirement that for students in Year 9 will be required to achieve a Band 8 in NAPLAN in reading, writing and numeracy from 2017. This means that 14 year olds – three years or so from sitting for their HSC, in the midst of adolescence and while establishing a sense of self-identity and membership in friendship groups and the wider community, will be saddled with the additional pressure of achieving this ‘benchmark’. And if they don’t meet this standard, they will have to keep attempting the test until they do.

This reform is all about competition, high stakes testing and national curriculum and assessment systems. It is not about what is best for our students.

The Blueprint ignores the federal educational framework

The NSW Education Standards Authority (NESA) states that syllabuses are developed “with respect to some overarching views” including those encapsulated in the Melbourne Declaration on Educational Goals for Young Australians (2008). However, nowhere in the Blueprint is the Melbourne Declaration, of which all Australian education ministers were signatories, mentioned. This is an important omission because the Melbourne Declaration is a broad statement which seeks to develop students as well-rounded human beings through two main goals of schooling: the provision of “equity and excellence”; and the development of young people as “successful learners”, “confident and creative individuals” and “active and informed citizens”.

The Melbourne Declaration acknowledges the significance of the arts and the central role schools have in developing “the spiritual, moral and aesthetic dimensions of life; and open up new ways of thinking.” It’s a shame the authors of the Blueprint ignored this key national document.

There’s more to life than work

While no one would argue that high order literacy and numeracy skills are essential for every individual, what is the point of highly literate and numerate individuals who lead unfulfilled lives? Individuals whose identities and creative outlets are linked to nothing but the workplace, where their capacity and desire to communicate and express themselves is diminished by a school career that at best, operated at a functional, instrumental level, aiming to slot them into jobs and little more? What are the future social ramifications for such a narrowly conceived education?

I guess we will find out over the next decade or so.

Apart from stating the obvious regarding the importance of literacy and numeracy, the worthwhile inclusions are few and far between in the Blueprint. For example, the “character attributes” of “curiosity, flexibility and resilience” are commendable inclusions but are not explicated to contexts beyond the workplace. The document does not attend to any substantial degree current geo-political events, seismic shifts in immigration and fails to acknowledge the subsequent challenges for education systems. Unfortunately, it accurately reflects the NSW Government’s blinkered vision of education – just take a look at the Government’s ‘Premier’s Priorities’ where the sole aim for education is to … wait for it … improve test results.

Says it all, really.

 

Don Carter is senior lecturer in English Education at the University of Technology Sydney. He has a Bachelor of Arts, a Diploma of Education, Master of Education (Curriculum), Master of Education (Honours) and a PhD in curriculum from the University of Sydney (2013). Don is a former Inspector, English at the Board of Studies, Teaching & Educational Standards and was responsible for a range of projects including the English K-10 Syllabus. He has worked as a head teacher English in both government and non-government schools and was also an ESL consultant for the NSW Department of Education. Don is the secondary schools representative in the Romantic Studies Association of Australasia and has published extensively on a range of issues in English education, including The English Teacher’s Handbook A-Z (Manuel & Carter) and Innovation, Imagination & Creativity: Re-Visioning English in Education (Manuel, Brock, Carter & Sawyer).